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Kittenz and thee Glitz is the second concept album from Felix da Housecat, the intrepid Chicago house producer behind 1999's excellent I Know Elektrikboy (released as Maddkatt Courtship). For this one Felix moved from dance culture to sex culture, recruiting a bevy of detached, vaguely European-sounding female vocals (including starlet Miss Kittin) and producing a dozen songs on self-explanatory themes, like the 90210-dropping 'Madame Hollywood.' Though it doesn't have the astonishing musical range of I Know Elektrikboy, Kittenz and the Glitz is just as fun, from the mindless sing-alongs, one-finger synthesizer melodies, and '80s electro disco sheen of 'Happy Hour,' 'Glitz Rock,' and 'Silver Screen (Shower Scene)' (though the last sounds more reminiscent of the Cars than Cerrone).

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For 'Control Freaq,' a promising production soundclash with Junior Sanchez proves frustratingly short, and the handful of short vignettes also impede the flow. Da Housecat can't be stopped, though; Kittenz and thee Glitz is an amusing ride through a similarly addled mind as glimpsed by hip-hop auteurs like the Automator and Prince Paul.